Use quotes for an exact search. For example, "Edvard Munch".
It Was a Different Time
SUPERFLEX’s rescue ark is not intended for humans alone. Yet it is laden with human products and critiques of capitalism – all dressed up as capitalism.
Use quotes for an exact search. For example, "Edvard Munch".
SUPERFLEX’s rescue ark is not intended for humans alone. Yet it is laden with human products and critiques of capitalism – all dressed up as capitalism.
‘I take my position of power very seriously’.
Vibeke Tandberg is not one of those artists who stopped experimenting with age.
Curator and researcher Antonio Somaini thinks artists are essential for understanding what AI is doing to culture.
Moderna Museet’s painting bonanza glitters, but leaves little room for sustained looking.
The Arts and Culture Magazine Publishers Forum announces an open call for a writer to join a research trip to Reykjavík.
Which memories do we preserve together, and which do we allow to fade into oblivion? It’s in that murky space that the collective coyote operates.
The main exhibition at the 61st Venice Biennale is a spiritualist séance with no spirits present.
Many of the pavilions at the 61st Venice Biennale manage to transcend the outdated structure of national representation.
Transgressive creatures in the Nordic Pavilion.
At the Danish Pavilion in Venice, the fertility crisis is displaced by an avalanche of sleek Scandinavian smut.
The Antwerp Six exhibition reveals fashion as a system and presents the dilemmas that all creatives face today.
SUPERFLEX’s rescue ark is not intended for humans alone. Yet it is laden with human products and critiques of capitalism – all dressed up as capitalism.
‘I take my position of power very seriously’.
Vibeke Tandberg is not one of those artists who stopped experimenting with age.
Curator and researcher Antonio Somaini thinks artists are essential for understanding what AI is doing to culture.