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The Misanthrope Who Came in from the Cold
Matias Faldbakken’s memorial to the 2011 terrorist attacks in Norway makes security its aesthetic point.
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Antipopulist Front
In Vienna, Mumok’s new director Fatima Hellberg is quietly reshaping how we move through the museum. And how the museum moves through us.
Whales Are Not Singing Anymore
In Oslo, Cecilia Vicuña presents two monumental collective works about the struggle for life in the sea.
Ghost Projector
The past haunts the present through the apparatuses that make our images in Lap See Lam’s exhibition at Henie Onstad Art Center.
The Saddest Show in Art History
A public event in Vilnius launching next year’s Baltic Triennial underscored the radical difference between being claimed by war and claiming detachment from it.
It Was a Different Time
SUPERFLEX’s rescue ark is not intended for humans alone. Yet it is laden with human products and critiques of capitalism – all dressed up as capitalism.
Tone Hansen Is the New Director of Moderna Museet
‘I take my position of power very seriously’.
Her Name Is Legion
Vibeke Tandberg is not one of those artists who stopped experimenting with age.
What Is an Image?
Curator and researcher Antonio Somaini thinks artists are essential for understanding what AI is doing to culture.
The Jewel Box
Moderna Museet’s painting bonanza glitters, but leaves little room for sustained looking.
Open Call
The Arts and Culture Magazine Publishers Forum announces an open call for a writer to join a research trip to Reykjavík.
A Scandinavian Prairie Wolf
Which memories do we preserve together, and which do we allow to fade into oblivion? It’s in that murky space that the collective coyote operates.
